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All Thomas Cole Oil Paintings


 
 
Thomas Cole Prometheus Bound oil painting reproduction


Prometheus Bound
1846Oil on canvas 64 x 96 in.
Thomas Cole71.jpgPainting ID::  9974
 

 

 
   
      

All JORDAENS, Jacob Oil Paintings


 
 
JORDAENS, Jacob Prometheus Bound oil painting reproduction


Prometheus Bound
c. 1640 Oil on canvas, 245 x 178 cm
new4/JORDAENS, Jacob-282236.jpgPainting ID::  32367
 

 

 
   
      

All Peter Paul Rubens Oil Paintings


 
 
Peter Paul Rubens Prometheus Bound oil painting reproduction


Prometheus Bound
mk93 1618 Oil on canvas 95 1/2x82 1/2 Philadelphia Museum of Art
new10/REMBRANDT Harmenszoon van Rijn-684289.jpgPainting ID::  34471
 

 

 
   
      

Peter Paul Rubens
  
Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
Prometheus Bound
mk93 1618 Oil on canvas 95 1/2x82 1/2 Philadelphia Museum of Art

Related Paintings to Peter Paul Rubens :.
| Hill and Adamson - Elizabeth Johnstone, Seated Newhaven Fishwife | Anthony van Dyck - Portrait of Johann VIII, Count of Nassau-Siegen, c. 1616-1617 | Michelino da Besozzo--The Marriage of the Virgin | Georges Seurat58 | Peter Paul Rubens205 | | the courtyard of a house in delft | Amorous India-s Woman | Landscape from Meaux | Fob (mk33) | Self-Portrait |


        

 

 

 

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